Kaiju films are not, by definition, minimalist endeavors. At their absolute smallest they still feature enormous monsters destroying the sum of man's ambition, and at their biggest they're about as large scale as films can getGodzilla vs. Kong is a maximalist movie, a surprisingly well paced clash of titans that takes place all across (and inside) the globe and is about an ape the size of the Plaza Hotel throwing down with a nuclear lizard. Anyone with reasonable expectations would assume that Godzilla vs. Kong pushes that premise to its CGI limits, and they would be right.Â
The first two acts of Godzilla vs. Kong deliver on many levels — Kong appears and only moments later spears a hole in the sky with a tree trunk, Godzilla demonstrates an understandable disdain for Florida, there's a small and habitable earth in the center of our earth and everyone is just kind of fine with it, and the big boys get up to their big boy fightin' business. However, just when you think those ideas can't add up to any more baseline kaiju delight, Godzilla vs. Kong unleashes its secret weapon. Something bigger, something unexpected, something more. Read more...
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